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More informatie on the artist
To address the question of how humans inhabit space at the intersection of nature and culture, Mankowski has developed her own visual and compositional language. While her compositions may seem abstract to the casual viewer, they are somewhat reminiscent of blueprints and ground maps widely used in architectural design and urban planning. This is no coincidence: many of her paintings are loosely inspired by the ground maps of the quarries she visited during her years as an architect.
Mankowski takes a keen interest in sites such as stone quarries, from which architects and builders collect their raw materials. Midway between nature and the built environment, quarries are transitional sites in which natural resources are excavated and turned into raw commodities to be used in buildings, but also cell phones, computers, and other modern technologies. So as much as we would like to believe we are far removed from nature, through these rough materials we are intrinsically connected to it. And as such, the mines and quarries where these materials are found also raise difficult questions about how humans have turned nature into a site for commodification, a process that has brought us high-tech and the urban environment but has also triggered ecological ruin and collapse.Text by Bram Ieven
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Natacha Mankowski & Alexis BondouxOb-look from mud bank, 2020Mixed mediaH 86 W 453 D 150 SH 48 cm
Natacha Mankowski: Available works
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